WHEN YOU DEEM yourself capable of putting another person into a categorising box, you perform an act of unmitigated violence. And you can do this by simply calling those people ‘foreign nationals’, ‘migrants’, ‘others’, ‘a problem’, the list goes on. It’s a magic gesture which strips another person of their humanity. Forever. This is one of the central threads of the extremely potent and prescient Serbian film As Far As I Can Walk, which features on this year’s European Film Festival, which offers limited screenings in Maseru, between 28 and 30 October.
Under the directorial hand of Stefan Arsenijevic, this love story, which weaves together an ancient parable, the idea of homelessness and that of letting go, on a biblical scale, is mind…
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